The principle was to focus on lighting, and how to highlight the surroundings. It was tricky how to establish this, but it was decided that the entire screen be black with the light appearing as a ball of light The location for the sting was also decided: under the sea, as it was simple and provided a wealth of characters and landmarks that could be used; such as the beginning where we decided that the camera could delve underwater, with sea-creatures swimming past but the issue of lighting was still in question. With the girl I was working with, we then decided on who would be working which part of the sting over Easter and research into sound. Meanwhile, I was still doing character designs for the sting. Image on the left was the final design.
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